I make my illustrations most often with a quill and black or white ink, but also with watercolors and crayons. These images are inextricably linked with the text, and sometimes they become a kind of continuation of the history or its completion.
Making watercolor portrait requires painting discipline due to technical conditions. This technique gives almost no possibility of making corrections and retouching, because there is no way to remove painted part or cover it with paint.
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Small-sized prints, some of them are custom graphics, such as invitations or souvenir cards, they become unique form of a gift.
Watercolors, especially those concerning flowers are a kind of herbarium for me. This technique properly reflects the matter of these ever-renewing wonders of nature and, capture their fragile beauty.
Commissions for copies in various painting techniques, such as: egg tempera on linden board, oil on canvas, watercolor, or pastel.
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